Instead of making myself write the book I ought to write, the novel that was expected of me, I conjured up the book I myself would have liked to read, the sort by an unknown writer, from another age and another country, discovered in an attic.
Archives for 2014
The ancient masters of Japanese art were allowed to change their name once in their lifetime. They had to be very selective about the moment in their career when they did so. They would stick with their given name until they felt they had become the artist they aspired to be; at that point, they were allowed to change their name. For the rest of their life, they could work under the new name at the height of their powers. The name change was a sign of artistic maturity.
Twyla Tharp, The Creative Habit
A new report imagines Boston inundated by rising sea levels — as much as 7.5 feet higher than today. Above, Clarendon Street in the Back Bay converted into a canal. My office is just a few blocks from this intersection.
Sooner or later, the great men turn out to be all alike. They never stop working. They never lose a minute. It is very depressing.
V.S. Pritchett, “Gibbon and the Home Guard” (via)
A Mediterranean mantis. This photo is among the early entries in the 2014 National Geographic Photo Contest.
To judge by the clock, the present moment is nothing but a hairline which, ideally, should have no width at all — except that it would then be invisible. If you are bewitched by the clock you will therefore have no present. “Now” will be no more than the geometrical point at which the future becomes the past. But if you sense and feel the world materially, you will discover that there never is, or was, or will be anything except the present….
For the perfect accomplishment of any art, you must get this feeling of the eternal present into your bones — for it is the secret of proper timing. No rush. No dawdle. Just the sense of flowing with the course of events in the same way that you dance to music, neither trying to outpace it nor lagging behind. Hurrying and delaying are alike ways of trying to resist the present.
The Van Gogh Museum in Amsterdam has a beautifully designed web site with, apparently, the entire collection available in eye-popping high resolution. It is amazing what detail you can see in these high-res images, right down to the brush strokes and globs of paint. It is as if the museum guards all turned their backs and allowed you to press your nose right up to the canvas. Above is a detail from “Wheatfield With Crows” (1890), one of the last pictures Van Gogh painted before his suicide. The complete picture is below, and you can click the image to see it a little larger. But to get the full effect, go download the insanely huge image at the museum’s web site.
In May, the Met in New York posted 400,000 high-res images from its collection, so this seems to be a trend.