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William Landay

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Archives for 2020

The Myth of a Golden Age of Books

October 22, 2020

Amazing fact of the day: in 1931 there were just 500 or so real bookstores in America, and two-thirds of the country had no bookstores at all.

In the entire country [in 1931], there were only some four thousand places where a book could be purchased, and most of these were gift shops and stationary stores that carried only a few popular novels.… In reality, there were but five hundred or so legitimate bookstores that warranted regular visits from publishers’ salesmen (and in 1931 they were all men). Of these five hundred, most were refined, old-fashioned ‘carriage trade’ stores catering to an elite clientele in the nation’s twelve largest cities.

Furthermore, two-thirds of American counties — 66 percent! — had exactly zero bookstores. It was a relatively tiny business centered in the urban areas of the country. Did some great books come out back then? Of course! But they were aimed only at the tiny percentage of the country that was visible to publishers of the time: sophisticated urban elites. It wasn’t that people couldn’t read; by 1940, UNESCO estimated that 95 percent of adults in America were literate. No, it’s just that the vast majority of adults were not considered to be part of the cultural enterprise of book publishing. People read stuff (the paper, the Bible, comic books), just not what the publishers were putting out.

— Alexis Madrigal

Filed Under: Books, Publishing Tagged With: bookselling, bookstores

David Milch at work

June 19, 2020

By design, Milch wrote “Deadwood” under a gun-to-the-head deadline, regularly composing dialogue the day before a scene was to be shot. Milch is the only writer I have ever watched, at length, write. I sat in a dimly lit, air-conditioned trailer as Milch—surrounded by several silent acolytes, of varying degrees of experience and career accomplishment—sprawled on the floor in the middle of the room, staring at a large computer monitor a few feet away. An assistant at a keyboard took dictation as Milch, seemingly channeling voices from a remote dimension, put words into (and took words out of) the mouth of this or that character. The cursor on the screen advanced and retreated until the exchange sounded precisely right. The methodology evoked a séance, and it was necessary to remind oneself that the voices in fact issued from a certain precinct of the fellow on the floor’s brain.

“David Milch’s Third Act,” by Mark Singer

Filed Under: How Writers Write, Writing Tagged With: David Milch

Now on Apple TV+

April 19, 2020

Defending Jacon Apple TV+ online poster

Details here.

Filed Under: My Books, News Tagged With: Defending Jacob

“The point of change”

April 1, 2020

Concentrate your narrative energy on the point of change. This is especially important for historical fiction. When your character is new to a place, or things alter around them, that’s the point to step back and fill in the details of their world. People don’t notice their everyday surroundings and daily routine, so when writers describe them it can sound as if they’re trying too hard to instruct the reader.

Hilary Mantel’s Rules for Writers

Filed Under: Writing Tagged With: Hilary Mantel, quotes for writers

Defending Jacob trailer

March 25, 2020

Coming April 24.

Filed Under: My Books, News Tagged With: Defending Jacob

Victor Hugo

January 30, 2020

Portrait of M. Victor Hugo (1879) by Léon Bonnat. Click for hi-def image. (Via)

Filed Under: Art, Books, Writers Tagged With: painting, portraits of writers, Victor Hugo

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